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  January 2008  •  Volume 32 – Number 1  
WPPI
In the Studio & On Screen  
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Quick Tips

By Larry Brownstein

[Editor's note: Sometimes it's the little things that can save you from big headaches. This month, we've collected a few quick tips from Rangefinder and AfterCapture contributor Larry Brownstein.]

Highlight Recovery

One of the frustrations with digital photography is the limited exposure latitude of the sensors. Fortunately, most RAW converters can help to retrieve highlights as long as they are not clipped too much. With Adobe Camera Raw, you simply drag the Exposure slider to the left and the software interpolation does a good job of filling in blown highlights, especially if two of the three channels were unclipped.

For more critical work, simply generate a light conversion for optimal midtones and shadows. Then generate a dark conversion for optimal highlights and merge them with masks.

These images show the result of using this technique to merge two RAW conversions.

Tips on File and Folder Naming

I can find my images faster when I name files and folders intelligently. First, I name my folders with a name such as 070630-timesSquare. The date--June 30, 2007--comes first in a format that causes all the folders to list in chronological order. The descriptive label--timesSquare--identifies the subject. If the folder contains a great number of images, then I will often sort them into two subfolders: best and outs.

Choosing a Color Space

When discussing color management, we are entering controversial, even religious, territory--but I can share some consensus I have found. There are two main choices: sRGB and Adobe RGB. sRGB was designed to match the colors available (the color gamut) of a typical monitor. Most browsers display in sRGB, and if the original file is in the sRGB color space, you will have no surprises when seeing images displayed on screen. However, the sRGB color space is more limited than the Adobe RGB space, which was designed to represent the colors available in a CMYK printing environment. Since many photographers prefer shooting for the best print quality, Adobe RGB is the more common choice.

Efficient Keywording With iView Media Pro

Whether your goal is to compile comprehensive keywords for a stock submission or add critical keywords that aid your ability to find images quickly, efficient keywording is critical.

I create a keyword file where I put my most commonly used keywords with all their synonyms. Each of these synonym lists is entered into the Vocabulary Editor of iView Media Pro (now Microsoft Expression Media). Then, when I enter the first keyword, iView fills in the rest of the synonym list automatically. Also, iView Media Pro allows you to keyword multiple images at the same time for even greater efficiency.

Larry Brownstein is the photographer of the books Los Angeles, Where Anything is Possible and The Midnight Mission. He is represented by Getty Images, Alamy and other agencies. He has a growing wedding and portrait photography business. He also offers stock photography consulting and career coaching for emerging photographers. See his work at www.larrybrownstein.com or contact him at 310-815-1402.



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  IN THIS ISSUE:

INTRODUCTION

MEMBER OF THE MONTH

STUDIO OF THE MONTH

IN THE STUDIO & ON SCREEN

BUSINESS LANDSCAPE

MEMBER NEWS

CALENDAR


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